core scanning service

Black and White Positive Scanning

A precise workflow for black and white transparencies and related originals where tonal stability, detail separation and careful handling matter.
  • Suitable for black and white transparencies and specialised originals
  • Controlled rendering of highlights, mid-tones and shadow detail
  • Workflow adapted to fragility, mounting and condition
  • Output matched to archive, research, publishing or print use
core scanning service - black and white positive
What this service is for
Black and white positive materials require a distinct workflow from negative film because the original already presents a direct tonal image rather than an inverted one. The task is to preserve tonal stability, highlight detail and subtle separation without forcing the image into an exaggerated contrast pattern.
Depending on format, mounting, physical condition and intended use, we choose the most suitable scanner and handling path. The workflow is designed to respect both the structure of the original and the practical role the final file will serve.
  • Suitable for black and white transparencies and related originals,
  • Tonal rendering matched to the structure of the material,
  • Workflow selected according to format, mounting and condition,
  • Output prepared for archive, research, publication or print
Available capture options
This service can involve ICG drum scanning, Hasselblad Flextight virtual drum capture or selected Epson flatbed workflows, depending on the format, condition and intended result.
core service - Black and White Positive Scanning
From inspection to final files
Each black and white positive project follows a controlled workflow shaped by tonal structure, material condition and intended use.
step
1
Intake and Original Inspection  
The original is identified and checked for format, mounting, condition and visible handling risks.
step
2
Condition Review and Stabilisation  
We assess fragility, mounting issues and any condition factors that may affect safe handling or capture.
step
3
Cleaning and Anti-Static Preparation  
Loose dust and removable contamination are reduced before capture where the material allows it.
step
4
Mounting and Scanner Setup  
The original is prepared for the selected scanner and capture method according to format and condition.
step
5
Calibration and Tonal Test Capture  
Test scans help define tonal direction and practical settings before final capture begins.
step
6
High-Resolution Capture  
Final scanning is carried out with settings matched to the original and the intended use of the file.
step
7
File Preparation and Review  
Files are organised, checked and prepared for archive, research, publication or print workflows.
step
8
Delivery and Return Handling  
Final files are delivered in the agreed form, and originals are repacked for safe return or storage.
What you receive
The delivered files are prepared according to the intended role of the scan. For some projects this means archival master files and structured delivery. For others it may involve files prepared for research, publication or print.
Where needed, the workflow can continue into retouching, cleanup or print-oriented preparation without losing consistency between tonal rendering, file preparation and final output.
  • Files prepared according to archive, research, publication or print use,
  • Structured delivery for single items or larger projects,
  • Further retouching available where appropriate,
  • Output decisions matched to the tonal role of the image rather than a generic preset
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Discuss your black and white positives
If you need help defining the right scanning and tonal path for your positive originals, we can review the material and recommend the most suitable workflow before capture begins.